And All. That. Jazz!

The accomplished artists in our 2026-27 Starrlight Jazz Club are known for lending their skills to award-winning projects and for pioneering their unique takes on the jazz genre.

Experience the exhilaration of live jazz performed in the intimate ambiance it deserves with cabaret-style seating.  

Matthew Whitaker Trio 

saturday, sept. 12, 7:30 pm

signature sound: His music echoes the traditions of jazz as well as black gospel, r&B and soul 

Coming off of a 2026 Grammy® win for best instrumental arrangement of “Super Mario Praise Break,” Matthew Whitaker is just getting started. Come see his debut performance in Northwest Arkansas and enjoy “effortlessly blended various genres whether through a soulful piano piece or an energetic organ arrangement,” says The Record.  

A recipient of three ASCAP Foundation Herb Alpert Young Jazz Composers Awards, Whitaker began his musical career at the age of three and since graduated from The Julliard School. He has already composed for television and film, released four studio albums and collaborated on projects with Jon Batiste, Christian McBride, Regina Carter, Anderson Paak, just to name a few.  

Watch as Grammy Award winner Matthew Whitaker pays tribute to one of his biggest inspirations with a soulful Stevie Wonder medley at the piano.

Simon Moullier Trio with Alex Claffey and Steve Pruitt 

Friday, Oct. 2, 7:30 pm  

Live from Chris' Jazz Cafe: Simon 2023: Moullier, vibraphone; Luca Alemanno, bass; Jongkuk Kim, drums

Don’t Miss This: His in-person energy on stage and the dexterity he flourishes is as captivating as his musical virtuosity.

Grammy-winning vibraphonist, composer and arranger Simon Moullier is known for his entirely new approach and sound on his instrument, distinguishing himself as one of the leading voices of his generation.

"His music is fresh. Never heard anyone play vibes like that before,” says Herbie Hancock, who mentored Moullier along with Quincy Jones, Wayne Shorter and Darren Barrett at the Thelonious Monk Institute. Moullier will be joined onstage with Alex Claffy on double bass and Steven Pruitt on. 

Huntertones  

Friday, Jan. 15, 7:30 pm 

3 guys, 5 instruments, 16 songs: Huntertones' tribute to the King of Pop. Recorded Live October 29th, 2017

What to expect: This horn-driven band is young, energetic and innovative in their approach to making Jazz fun and accessible while fearlessly mashing up genres to create their own sound. 

Huntertones return to Walton Arts Center stage for their third appearance. This dynamic, horn-driven band blends jazz, funk and soul with a sharp, contemporary edge. Their signature three-horn frontline, bold arrangements and an irresistible sense of groove, have earned them a reputation for high-energy performances that feel both deeply musical and wildly fun. Their collaborative spirit shines on work with Lake Street Dive, SuperBlue, O.A.R. among others, and this show highlights their unmistakable blend of creativity, connection and improvisation. Jon Batiste says the Huntertones play “Honest, genuine, skillfully executed music without limitations that is uplifting and cannot be quantified.”  

Noah Preminger Quartet 

Saturday, Feb. 20, 7:30 pm  

Known For: His voice on the saxophone as well as his gift for composition set him apart from the herds of players with impressive technique, but little to say. Each note from Noah’s horn has a purpose and story to tell, always serving the greater good of the song and his bandmates

Noah Preminger, saxophone; Julian Shore, piano; Phil Donkin, bass; Leif Berger, drums. Live at Like A Jazz Machine Jazz Festival, Dudelange, Luxembourg. (2025)

The New York Times declares that Brooklyn-based saxophonist Noah Preminger,  “(He) designs a different kind of sound for each note, an individual destiny and story.” A master of standards and ballads, Preminger has recorded more than 12 critically acclaimed albums and performed all over the world with Fred Hersch, Joe Lovano, John and Bucky Pizzarelli and Roscoe Mitchell. 

The quartet, which will play both from Preminger’s albums and a selection from the Great American Songbook, is rounded out by Julian Shore on piano, Kim Cass on bass and Terreon Gully on drums. The Boston Globe calls the performance, “Impressive, challenging, and beautiful”. 

Edward Simon Trio 

Friday, April 23, 7:30 pm 

Signature sound: His trio performances and recordings are considered among the most enduring and thoughtful legacy of the iconic jazz trio format harkening to the work of Bill Evans and Keith Jarrett. 

Edward Simon, a native of Venezuela, is among the strongest pianists of his generation. With his trio, he continues to explore the commonalities jazz can have with the folkloric sounds of Latin America. His trio performances and recordings are considered among the most enduring and thoughtful legacy of the iconic jazz trio harkening to the work of Bill Evans and Keith Jarrett.  

His 2016 album Latin American Songbook, with the four-and-a-half star DownBeat review praising its “grand and sophisticated” sound, won Simon an NAACP image award for outstanding jazz album. The New York Times has praised Simon’s “light, warm touch” as a pianist, while Jazz Journal International singled out “his deep emotional statements” as a composer and improviser. 

Edward Simon's original composition, "Locura", was performed by the SFJAZZ Collective in Miner Auditorium on October 26th, 2014.

RESERVE YOUR SEATS NOW AND SAVE!

All-in subscriptions are $285 for cabaret seating and $170 for tiered seating. Single tickets for these shows go on sale later this summer.  

Celebrate American’s Most Influential Songs with the Songbook Salon Series

What is the Great American Songbook?

A loosely defined cannon of the most important and influential American popular songs, show tuns and jazz standards from the 1920s to the 1960s

Curated by pianist and singer Champian Fulton, Songbook Salon is a new concert series that pays homage to the Great American Songbook performed exclusively by world-class vocalists. Each intimate evening will unfold in an atmosphere of elegance, where notes of Porter, Gershwin, Berlin and Ellington will come alive.  

From Cole Porter to Bob Dylan featuring Isabella Isherwood 

Thursday, Sept. 10, 7:30 pm  

Isabella Isherwood performing The Sweetest Sounds, 2026

Chicago-based pianist, singer and actor Isabella Isherwood is known for her vast and impeccable vocal range. “Thrilling low notes, a middle register that resonates warmth and ghostly obbligatos to enhance an arrangement,” says critic Neil Tesser, make for a delightful exploration of the jazz genre and beyond. Fresh off her debut album The Sweetest Sounds released this year, this emerging talent brings jazz standards and favorite tunes to life.  

Isherwood has shared her artistry on stage and screen across both the U.S. and internationally and she will share her talents with Northwest Arkansas patrons in From Billy Porter to Bob Dylan. She has performed with the Chicago Symphony Orchestra at Symphony Center and Ravinia, and performed with her quartet at the Chicago Jazz Festival and three concert tours throughout Europe.  

In an episode of Backstage Bay Area, host Steve Roby sits down with Suzanne Wadowski, founder and executive director of Jazz at the Ballroom and the Songbook Ink label, and Champian Fulton, pianist, vocalist, and musical director, to discuss their upcoming concert and new album celebrating the legendary female vocalists of the swing era and 1950s jazz.

Flying High: Big Band Canaries Who Soared featuring Champian Fulton Trio 

Saturday, March 13, 7:30 pm 

Billie Holiday, Anita O’Day, Lena Horne, Peggy Lee, Jo Stafford, Rosemary Clooney, Ella Fitzgerald and others. Early in their careers, each of these were “canaries”—women singing with the great Big Bands of the era. And they all went on to solo careers where they developed their own sound and style. Fulton and her trio will celebrate the styles, sounds and music made famous by these jazz canaries once they spread their wings! 

Flying High: Big Band Canaries Who Soared is the second installment in the ongoing Flying High series, a long-term project dedicated to honoring the women singers who shaped American popular song during the swing and big band era. Join us as we follow their songs and stories past the big band days and into their flourishing solo careers. 

Let’s Be Frank: Celebrating the Frank Sinatra Small Group Songbook featuring Sachal Vasandani & The Christian Tamburr Trio 

Thursday, May 6, 7:30 pm 

I Love You For Sentimental Reasons - Sachal Vasandani covers Sinatra Live at the Appel Room, Jazz at Lincoln Center 2019

Thoroughly rooted in jazz, award-winning vocalist Sachal Vasandani has the swagger to front the most swinging big bands and the vulnerability to present definitive classic ballads in a trio. With fresh new arrangements by pianist Christian Tamburr, Vasandani leads us through the rare styling of Sinatra with a small group, which includes music broadcast between 1953-1955 on his radio show “To Be Perfectly Frank,” late ‘40s sides for Columbia and the 1959 Live in Australia recording with the Red Norvo Quintet. If you’re a Sinatra fan, you won’t want to miss Let's Be Frank! 

Save Your Seat for These Shows!

All-in subscriptions for this three-show series are $170 for cabaret seating and $101 for tiered seating. Single tickets will go on sale later this summer. 

Designing the Spectacular World of Moulin Rouge! The Musical

By David Cote

Entering Moulin Rouge! The Musical, you encounter a world like no other: sensual, mysterious, decadent. A hypnotic dance loop plays as aristocratic men in top hats circle seductive women in lace and bustiers. The music feels like it’s coming from 360 degrees. Lights rake over bodies promenading back and forth. It’s hard not to notice the elephant perched beyond the proscenium, and the red windmill on the other side. An exquisite tension hangs in the air, before the show has even begun. Welcome to the club.

Jay Armstrong Johnson and Arianna Rosario the 2025 touring production of MOULIN ROUGE! THE MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade

You’ve never seen a Broadway show as wildly immersive as the Tony®-winning Moulin Rouge! The Musical. The revolutionary design started on Broadway and goes around the country.

“I began by amassing huge amounts of research,” scenic designer Derek McLane explains. “There were many period photos of Montmartre and the Moulin Rouge, of Parisian courtesans’ apartments.” The walls of the theater, McLane adds, are draped in no fewer than nine different types of red fabric, each its own hue and pattern. The heart-shaped portals you see upon entering are loosely inspired by Baz Luhrmann’s film. “I worked hard to create a structure both densely patterned and lacy so that you see through one set of patterns into another,” McLane says.

Costume designer Catherine Zuber poured the cast into a series of bespoke costumes, mixing Parisian silhouettes and edgy, contemporary couture. “Since the music is contemporary, the challenge is to introduce a modern interpretation,” Zuber notes. “The choreography is high-energy, requiring costumes that are not restrictive.” She notes that director Alex Timbers “kept us on track by insisting that the design should occur now and in the past simultaneously.”

“I had a vision that we’re inside a spinning crystal chandelier,” says lighting designer Justin Townsend. Shifting rapidly from spotlighting actors to bathing them in romantic reds, purples and blues, Townsend tucks tiny lights around the set to allow the stage and house to sparkle. Every reliable surface holds a lightbulb that can pulse and animate. “My hope is to create the same quality of the movie,” the designer says, “being on a ride with the camera pulled and pushed into and out of the scenes with wonder and joy.”

Peter Hylenski fuses dialogue and a score woven from dozens of song fragments into a seamless sonic whole. “From the very first bass notes and finger snaps, we should understand the flavor and attitude of the evening ahead,” the sound designer says. “Ultimately, it’s my responsibility to shape and sculpt the inputs from the cast, band, and sound effects to weave a sonic tapestry.” Hylenski shares his secret weapon: concealed in and around the set are some 200 various-sized speakers. Even in the table lampshades of the front seating area.

As Townsend sums up: “We combine images and sounds that shouldn’t work together but have a deeper truth, a deeper beauty, when placed next to one another.” The theater community certainly agrees. In 2021, Moulin Rouge! The Musical came away with a staggering ten Tony Awards®, including top prizes for scenic design, lighting, costumes, sound and orchestrations.

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Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur, and glory! Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza when Moulin Rouge comes to Walton Arts Center for eight performances in July. A celebration of Truth, Beauty, Freedom, and — above all — Love, Moulin Rouge! is more than a musical — it is a state of mind.

Show dates and times:

Wednesday, July 8, 7 pm

Thursday, July 9, 1:30 pm

Thursday, July 9, 7 pm

Friday, July 10, 8 pm

Saturday, July 11, 2 pm

Saturday, July 11, 8 pm

Sunday, July 12, 2 pm

Sunday, July 12, 7:30 pm

Resilience Through Storytelling: How The Outsiders Gives Voice to Marginalized Youth and Inspires Across Generations

By: Ayanna Prescod

In 1967, a 16-year-old from Tulsa, Oklahoma, quietly shifted the landscape of American literature. Susan Eloise Hinton, known more publicly as S.E. Hinton wrote The Outsiders from her bedroom while still in high school. What began as a response to the fractures she observed among her peers—the invisible line between those with privilege and those without—became a novel that would ripple across generations, offering a mirror for people who felt overlooked, misunderstood or out of place.

Almost 60 years later, that story still speaks. Its latest iteration, a Broadway musical, proves the endurance of Hinton’s vision: narratives rooted in resilience not only survive, but thrive because they give voice to those who most need to be heard.

When asked what sparked The Outsiders, Hinton is matter of fact: “I was inspired by my high school. I just got tired of all the social classes fighting each other.” What began as a short story after a friend was attacked grew into something larger than even she imagined.

The Greasers and the Socs may belong to Tulsa in the 1960s, but the dynamics of us versus them, wealth versus struggle and power versus vulnerability are in fact universal. That universality is precisely why the novel has endured: while the labels shift with each generation, the humanity of the characters remains, growing alongside the readers and even with Hinton herself.

The longevity of The Outsiders has fueled a legacy of adaptations, each one reshaping the story for a new generation. But it is the Broadway musical—winner of four Tony Awards® in 2024, including Best Musical—that has brought the tale full circle, marrying Hinton’s raw honesty with the visceral power of live performance.

The production has been praised for capturing both the grit and the tenderness of her original text, something Hinton herself deeply appreciates. “The musical stayed very close to the book and true to the characters,” she said. “Naturally, I am pleased about this. I believe music provides insight to the characters. I like that some people will experience the story for the first time as a musical, and then they read the book or see the movie.”

Music, after all, bypasses logic and speaks directly to the heart. Where the novel’s power rests in its intimate monologue, the musical externalizes that struggle, allowing audiences not just to observe but to feel the characters’ rawest emotions. In doing so, it reaffirms what has always made The Outsiders endure: its ability to remind us that resilience is often born in the spaces between pain and hope.

Beyond its artistry, The Outsiders has always been a story about survival and about the ways young people find hope even when institutions fail them. And for audiences stepping into the theater, it offers both nostalgia and discovery. Some will arrive with decades of love for Ponyboy and Johnny; others will meet them for the first time under bright stage lights. But all will leave reminded of what Hinton has always hoped for: that the story sparks connection, joy and a deeper understanding of what it means to STAY GOLD.

The Outsiders North American Tour Company / Photo by Matthew Murphy

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This Tony Awards®-winning story of friendship, family and belonging comes to Walton Arts Center for eight performances this September. Single tickets are on sale now at waltonartscenter.org.

Corbin Drew Ross (L) and Nolan White (R) in The Outsiders North American Tour / Photo by Matthew Murphy

Show dates and times

Tues. Sept.1, 7 pm

Wed. Sept. 2, 7 pm

Thurs. Sept. 3, 1:30 and 7 pm

Fri. Sept. 4, 7:30 pm

Sat. Sept. 5, 2 and 7:30 pm

Sun. Sept. 6, 2 pm

30 Years, 74 Marriages and 136 Babies Later; Riverdance Returns with a New Generation of Performers

Ní neart go chur le chéile, together we are strong. 

Since Riverdance first emerged onto the world stage, its fusion of Irish and international dance and music has captured the hearts of millions worldwide. The Grammy®-winning music and infectious energy of its mesmerizing choreography and breathtaking performances has left audiences in awe, and established it as a global sensation. Riverdance returns to Walton Arts Center for three performances June 9-11.  

Composed by Bill Whelan in 1994 for an interval act in the 1994 Eurovision Song Contest, Riverdance symbolizes the cycle of life and the Irish experience of emigration and renewal. The show is built to explore how people from different lands bring their own culture to countries they emigrate to, particularly through the art of music and dance. 

Riverdance 30: The Next Generation, is a new tour that celebrates the 30th anniversary of the cultural phenomenon. This is “the Riverdance you remember,” says The Chicago Tribune, “superbly and joyously performed ... packaged with narrative and spectacle.” The show is rejuvenated for new audiences with innovative choreography and a “new generation” of performers, none of whom were born when the show began. 

Riverdance has been seen by over 31 million people in 51 countries with over 16,000 performances and over 1,500 featured Irish dancers. The cast has also produced 74 marriages and 136 “Riverdance babies” (children born to the show’s touring couples). 

The current company consists of “Riverdance baby” John Porter, 23, who has been with the company since 2022 and is the son of two former Riverdance lead company members. The cast also features a sibling duo as lead dancers: Will and Kieran Bryant from Sydney, Australia. For many of these dancers, Riverdance has always been their dream. Thousands of kids train at Riverdance academies every year, some even starting at just six years old.  

The reviews are in:

“Dance does not often get so good,” says The Guardian, and “Choreography is brilliant ... seriously impressive and impactful,” says Broadway World.

See it for yourself - now for a limited time use code DANCE at checkout for 30% off tickets!

Show dates and times

Tuesday, June 9, 7pm 

Wednesday, June 10, 7pm 

Thursday, June 11, 1:30pm 

Cheers Ya’ll! Art of Wine Goes West

The popular food and wine event benefitting Walton Arts Center’s arts education programs is back 7-9:30 pm on Friday, July 24 — this time with a bit of frontier charm.

Art of Wine rides West, where sun-soaked vineyards and wide-open hospitality awaits. While the theme of the event changes each year, guests are still able to swirl, sip and savor selections from more than 100 vendors and bites from over 25 local restaurants.

“Changing the theme keeps the creative spark alive—both for our team and our guests,” said Whitlee Douthitt, special events manager for Walton Arts Center. “It allows us to re-invent a classic event, gives our vendors a fresh canvas to showcase new offerings and allows us to work with new artists and brands to enhance guest experience.”

This year’s theme was unveiled first to a group of 34 community leaders and influencers during a night of curated food, drinks and great conversation at the Guisinger.

“The dinner featured food from a local restaurant partner and wine from our friends at HotVine, and we were able to showcase the collaborative spirit that makes this event possible,” Douthitt said. “For us, it’s also an essential time to hear how we can continue to be a platform for creative growth. At the end of the day, we want to ensure that Walton Arts Center isn't just a venue, but a place where our community can truly gather, create and support one another.”

Building on that theme, Walton Arts Center’s production and front of house teams work their magic and create a dynamic, immersive experience that draws hundreds of guests for one night only.

This year guests can stroll through “Old Main Street,” a curated shopping experience. With western-inspired accessories from Moon Ridge Hats and Heritage to something shiny from Underwoods Fine Jewelers, you can complete your look and support local businesses.

The most unexpected addition is the chance to get a flash tattoo during the event. For adventurous guests it’s a permanent memento of the evening and a playful nod to the event’s spirit of creativity.

For those new to Art of Wine, “Get ready for this to be your favorite night of the year,” Douthitt said. “It’s a high-energy night and you’ll be doing a lot of mingling, so definitely wear your comfortable shoes. Use the Uber vouchers for a Safe Ride Home provided by McClarty Daniel or take advantage of hotel discounts nearby. We’ve handled the logistics so you can show up and enjoy the best of NWA in one spot.”

General admission tickets are $110. Add the Express Pass for $25 per person to your general admission tickets and get early entry to the event at 6:30 pm and be the first to taste your favorites.

Step beyond the saloon doors with a Reserve Room ticket for $260, that includes everything in general admission plus additional premium wines and food offerings. This “all-access” pass includes an Express Pass, a dedicated entrance and exclusive lounge spaces and activations.

Proceeds from the event directly support Walton Arts Center’s arts education initiatives, which impact thousands of students and educators each year. Through these programs local students experience free live performances, teachers learn how to incorporate the arts into their classrooms and young people discover and nurture their own creative passions.

As a nonprofit organization, Walton Arts Center relies on community support to sustain and grow these programs. Whether you attend for the exceptional wines, the vibrant atmosphere or the meaningful mission, Art of Wine offers a night that lingers long after the last glass is poured. It’s a celebration not just of taste, but of impact. Every sip helps ensure the arts remain accessible, inspiring and alive in Northwest Arkansas.

10 questions with Curtis Chamber Orchestra

For 15 years, the Curtis Chamber Orchestra has maintained an unparalleled presence at top international concert halls, performing more than 450 concerts in over 120 cities, from New York to Berlin and Hong Kong to Santiago. Now, for one night only, you can see them in Baum Walker Hall on Tuesday, May 19 at 7 pm. The ensemble, composed of students, alumni and faculty of the prestigious Curtis School of Music, will perform an exquisite selection of Barber, Mozart and Beethoven.  

The Curtis Chamber Orchestra is presented as part of the 10x10 Art Series, an intriguing and innovative showcase of art forms, meticulously curated to satisfy the artistic curiosity of the Northwest Arkansas community. We asked student violinist Audrey Goodner to answer 10 questions to help audiences understand the ensemble and know what to expect at this spectacular show. 

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Audrey Goodner, rising junior at Curtis Institute of Music.

What can audiences expect when they come see this performance?

Audiences can expect a high-quality and engaging evening featuring some of the core works of the chamber orchestra repertoire. The program highlights the artistry of our esteemed faculty and brings the students at the Curtis Institute together in a concert full of energy, precision and expressive depth in ways that feel both exciting and meaningful.

What message do you hope to send to the world, or what do you hope audiences leave with?

It is my hope that audiences leave with a sense of peace and contentment. I hope the experience inspires them to seek out live music or even to explore an instrument themselves. It’s also important to me to share the remarkable talent of my colleagues and reflect the artistic environment fostered at Curtis. 

What drew you to this performance field?

Music was part of my life from an early age, I come from a very musical family. My father, especially, played an important role in that introduction. I quickly developed a strong love for the violin, and over time that early encouragement grew into a lasting personal commitment.

Can you tell us more about performing in a conductorless group? How does this change how you practice and play?

Performing in a conductorless group creates a true chamber music environment. With a smaller ensemble, each musician takes on greater responsibility in shaping the performance. Preparation becomes more collaborative, with a focus on blending, communication and shared interpretation.

Do you have any pre-show rituals or warm-ups? If so, what are they?

I do not have any mandatory pre-concert rituals for myself. I like to try to stay relaxed, listen to recordings of the pieces beforehand, maintain physical ease and take time to mentally focus. Visualization also helps me center my attention and prepare for a convincing performance. 

Pick 5 words that best describe your work.

Genuine, collaborative, supportive, engaging, meticulous. 

What is the best advice that you have been given?

One of the most valuable pieces of advice I have received is to attend as many live performances as possible. Immersion in live music is essential to artistic growth and provides insights that cannot be replicated elsewhere. 

Who do you define as visionary and why?

I would define one of my previous teachers, Ryan Meehan, as a visionary. His deep commitment to his craft, combined with an ability to inspire and guide others so deeply, has had a profound impact on my development as a musician. I would not be where I am today without his unending support and guidance. 

What are some unique or memorable experiences you’ve had while traveling around the world to share your music?

Traveling to Iceland for a summer festival stands out as a particularly memorable experience. The beautiful setting, the students and faculty and the opportunity to share music in such a unique environment made it especially meaningful.

What songs, artists or genres of music are you currently listening to?

I spend a lot of time listening to repertoire I’m currently working on or have recently discovered. Outside of that, I also enjoy listening to jazz. 

Join us at an Artosphere event in Fayetteville

The Artosphere Festival celebrates art, music and nature all across Northwest Arkansas every May. With music and performances, learning experiences, Yoga and community events there is a free or low-cost event for everyone. Keep reading to see our guide to Artosphere events happening in Fayetteville, and make plans now to attend one - or several!

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MUSIC & PERFORMANCES

Rowdy on the Ramble

Friday, May 1, 7:30-10:30 pm / The Upper Ramble - FREE

Rowdy in the Ramble is Artosphere’s newest event that boasts lively music, spectacular entertainment and a high-energy festival atmosphere. Bring your friends, bring a blanket and bring your dancing shoes. Arkansauce and Jumpsuit Jamey & the Can’t Wait to Playboys will provide the soundtrack for the evening, and Inspyral Circus lights up the night with a thrilling fire art performance.

Jazz in the Garden

Tuesday, May 5, 6:30 pm / Botanical Garden of the Ozarks - FREE

Little Rock-based jazz band Langiappe performs with singer Genine LaTrice Perez in the beautiful Botanical Garden of the Ozarks. Bring your chairs or picnic blanket. Food and beverages (alcoholic and non-alcoholic) are available for purchase.

Jazz on the Mountain

Thursday, May 14, 6 pm / Mount Sequoyah's Vesper Point, Fayetteville - FREE

Join us for a special jazz performance by local musical group THE WIMER-WENINO PROJECT in the beautiful, outdoor setting of Mount Sequoyah's Vesper Point.

Broadway, Bacharach and Bossa Nova

Sunday, May 17, 6 pm / Starr Theater at Walton Arts Center

Tickets: $10 tiered, $25.30 (plus fees) cabaret

Come see the maiden performance from a wildly experienced pair - pianist Jeannine Wagar and Broadway’s Marcy Harriell - covering everything from Bossa Nova to Broadway to Bacharach! 

Curtis Chamber Orchestra

Tuesday, May 19, 7 pm / Walton Arts Center
Tickets: $10

A renowned conductorless orchestra performs a selection of Barber, Mozart and Beethoven.

LEARNING Experiences

Terrarium Workshop with Pink Fern

Thursday, May 7, 6 pm / Sudduth Rose Garden at Walton Arts Center

Tickets: $85

Create your own terrarium using a selection of moisture-loving flora, decorative stones and a signature Pink Fern gold animal. Pink Fern provides expert instruction and all necessary materials, you bring your creativity and personality.

Paper Bead Making Workshop

Sunday, May 10, 2 pm / Fayetteville Public Library - FREE

Get ready to roll, glue, and craft! Join us for a fun and hands-on crafting session where we’ll learn how to make colorful paper beads and turn them into beautiful bracelets. No experience needed and all supplies will be provided.

National Geographic Live: The Wild Wolves of Yellowstone

Tuesday, May 12, 7 pm / Walton Arts Center

Tickets: $10

Wildlife biologist and National Geographic Explorer Doug Smith led the project that reintroduced gray wolves to Yellowstone National Park in the 1990s. We join him on assignment in the park to see how the landscape has changed since the wolves arrived, including never-before-seen photos and videos of the quest to bring back this apex predator. 

the Boy & the Ball

May 12-13, 10 am and 4 pm / Fayetteville Public Library - FREE

This 30 minute-show, specially made for pre-schoolers is a story about how one friend can become many. This nonverbal performance is a wonderous tale of reassurance, joy and connection ... with a little magic. Recommended for kids aged 3-6.

Upcycled Birdfeeder Drop-In Workshop

Wednesday, May 13, 3:30 pm / Fayetteville Public Library -FREE

Drop in to create an upcycled birdfeeder! This family-friendly craft is led by Wild Birds Unlimited.

Instrument Petting Zoo

Saturday, May 16, 2-4 pm / Art and Movement Room at Fayetteville Public Library - FREE

Led by local musician and teacher Honnah Heartsong, this drop-in event invites you to meet, play and make music on a variety of instruments. All ages are welcome and there will be a designated station for young children.

Cocktails in the Rose Garden

Saturday, May 16, 4 pm / Bradberry Rose Garden at Walton Arts Center

Tickets: $45

Inspired by local herbal and botanical ingredients, you will learn how to make two nature-themed cocktails while enjoying light snacks. Must be 21 or older to enter.

YOGA

Yoga on the Glade

Monday, May 1, 6 pm / The Gathering Glade at the Fayetteville Public Library - FREE

Enjoy yoga and live music in the fresh air of the Fayetteville Library's J.B. and Johnelle Hunt Family Gathering Glade. Move, stretch and breathe with a free yoga class accompanied by live cellist, Pecos Singer. Instructors will be leading the session, which will be suitable for all levels of yoga practitioners.

Yoga on the Mountain

Thursday, May 14, 7:15 pm / Mount Sequoyah's Overlook, Fayetteville - FREE

Enjoy stretch and flow yoga overlooking Fayetteville during sunset, accompanied by live music.

Community events

Trail Mix

Trio Las Hermanitas Alvarez, one of the many artists performing on the Lower Ramble at Trail Mix.

Friday, May 1, 5:30-7:30 / The Lower Ramble Trail - FREE

Artosphere’s signature event features live art, music and activities for kids and families! Explore the convergence of art and nature in the forest canopy and pathways through Tanglewood Creek and Fay Jones Woods at the Lower Ramble.

Community Creative Center Pottery Festival

May 1-3 / Community Creative Center, the Alexander Gallery and Kingfish Bar - FREE

An exhibition and pottery sale includes work from numerous potters and is available throughout the event in the main gallery at CCC, and a curated collection of regional pottery will be on display at the new Alexander Gallery at Porter Art Warehouse. Special guests are brought in for lectures and pottery demonstrations, and the festival will conclude with the Post-Pottery Party on Saturday, May 2 from 6-8pm at Kingfish with free music from a local band.

Strawberry Festival

Sunday, May 17, noon-6 pm / Downtown Fayetteville Square - FREE

Downtown Fayetteville Coalition’s third annual Fayetteville Strawberry Festival is coming to the historic downtown square, with live music from local bands and performances by Hip-Hop 101 and Diamond Awards students.

If You Love Pop Music, Check Out These Upcoming Musicals!

If you think musicals are all jazz hands, old standards and stories from another era, two of Broadway’s biggest hits are here to change your mind. Moulin Rouge! The Musical and & Juliet both take familiar pop songs and use them to tell stories set far outside the modern world — creating an exciting, approachable gateway for audiences who may be new to musical theater.

These shows share one major ingredient: a soundtrack packed with songs audiences already know and love.

That familiarity can make all the difference for first-time theatergoers. The result? Audiences don’t have to “learn” how to enjoy the music. They’re already in on the fun.

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& Juliet

Travel back to 16th-century Verona and pick up right where Shakespeare left off, however this story has a twist.

The Music

& Juliet flips the script on Shakespeare using the chart-topping catalog of legendary songwriter Max Martin, whose songs helped define modern pop music. Hits made famous by Britney Spears, Backstreet Boys, Kelly Clarkson and Katy Perry become the emotional engine of Juliet’s journey toward independence and self-discovery.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That’s The Way It Is" and "Can't Stop the Feeling!"- all from Max Martin, the genius behind more No. 1 hits than another artist this century. Songs like “Teenage Dream,” “Love Me Like You Do” and “Stronger” help guide the narrative as Anne Hathaway, Shakespeare’s wife, reads and dislikes his original plot, proposing her idea for a new ending.

The Story

In Anne's version, Juliet decides not to end it all when she finds Romeo dead. Instead, she gathers her friends — including the Nurse from the original Romeo & Juliet play and some new characters added for & Juliet — and escapes Verona. Her new friends and experiences show her that she's not alone in feeling stifled, but that there's a bigger world out there for her. Ultimately, & Juliet is a triumphant coming-of-age story about a young woman finding her independence.

Prepare for the show with this playlist! How many songs can you already sing along to?

The music puts a modern twist on a timeless classic, the same way Juliet’s new story does! Break free of the balcony scene and get into this romantic comedy that proves there’s life after Romeo. The only thing tragic would be missing it. 

Show Dates & Times

Tuesday, May 26 at 7 pm

Wednesday, May 27 at 7 pm

Thursday, May 28 at 1:30 and 7 m

Friday, May 29 at 8 pm

Saturday, May 30 at 2 and 8 pm

Sunday, May 31 at 2 pm

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Moulin Rouge! The Musical

Hey sista, go sista, soul sista, flow sista - ready to visit Paris for the turn of the 20th century? Welcome to the Moulin Rouge! Adapted from the 2001 film, Moulin Rouge!, the iconic night club takes form on stage, transforming it into a world of splendor and romance, of eye-popping excess, of glitz, grandeur and glory!

The Story

The story follows a lovesick American writer, Christian, and Satine, the dazzling star of the Moulin Rouge nightclub. When their lives collide at the Moulin Rouge, they fall hopelessly in love, only to be thwarted by the nightclub’s host and impresario, Harold Zidler, and the Duke of Monroth, the wealthy and entitled patron of the club who thinks he can buy anything he wants ... including Satine.

The Music

Moulin Rouge! The Musical blends more than 70 pop songs into its story, weaving together music from artists like Lady Gaga, Adele, Katy Perry and Elton John. Even though the story unfolds in turn-of-the-century Paris, the emotional beats are powered by songs audiences already carry with them.

The music drives the story, starting with an explosive mash-up of “Burning Down the House,” “Ride wit Me” and “Lady Marmalade.” It’s impossible not to be in the Moulin Rouge mindset after seeing burlesque and can-can dancers perform in this spectacular opening number, but the excitement does not end there! Mashups of Lorde’s “Royals” and Fun’s “We Are Young” are used to proclaim the bohemian ideals of truth, beauty, freedom and love. Satine makes her grand entrance to the tunes of the James Bond theme "Diamonds Are Forever," Rihanna's "Diamonds," Beyonce's "Single Ladies," En Vogue's "My Lovin'" and Commodores' "Brick House." Classics like Elton John’s “Your Song” and White Stripe’s “Seven Nation Army” are peppered throughout, making it a spectacle any music taste will know and love.

Prepare for the show with this playlist! How many are in your all-time-favorites playlist?

The music reimagines the songs you know and love, creating a story you won’t forget. Pop the champagne and join us as Moulin Rouge! The Musical takes audiences on a journey of ambition and weaves a tapestry of love, sacrifice and a whole lot of sequins.

Show Dates & Times

Wednesday, July 8 at 7 pm

Thursday, July 9 at 1:30 and 7 pm

Friday, July 10 at 8 pm

Saturday, July 11 at 2 and 8 pm

Sunday, July 12 at 2 and 7:30 pm

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The Start of Something Great

Today’s musical theater landscape is incredibly diverse. Some productions reinterpret classic stories through a contemporary lens. Others blur the line between concert, theater and pop culture event. These two productions are perfect examples of how Broadway continues to evolve for new generations of audiences.

These musicals and others create a bridge between pop culture and Broadway. And once you experience the energy of a live orchestra, powerhouse vocals, dazzling choreography and a packed theater reacting together in real time, you’ll discover there’s nothing quite like it.

The Magic of Riverdance

Since Riverdance first emerged onto the world stage, its fusion of Irish and international dance and music has captured the hearts of millions worldwide. To celebrate it's incredible 30 year milestone, Riverdance is bringing a special anniversary tour to Walton Arts Center. This spectacular production rejuvenates the much-loved original show with new innovative choreography and costumes and state of the art lighting, projection and motion graphics. And for the first time Riverdance welcomes “The New Generation” of performers.

“The sort of spectacle and experience that comes along once in a lifetime”

— The Hollywood Reporter

John McColgan, director of Riverdance said “It is both a privilege and a delight to celebrate 30 years of Riverdance and the unique journey it has taken us on. In those 30 years the show has transformed from a spectacle into a global cultural phenomenon – continuously evolving yet remaining true to its Irish roots. On this upcoming tour we look forward to welcoming ‘The New Generation’ of artists while paying tribute to the talented performers, creators, dedicated crew and the millions of fans who have made Riverdance a worldwide celebration of music and dance.”

Every member of the touring cast for Riverdance 30 – The New Generation was not born when Riverdance first premiered 30 years ago as the Eurovision Song Contest Interval Act. This special 30th anniversary production welcomes an entirely new generation of dancers to the stage, some of whom have been dreaming of being a part of the Irish dance phenomenon since their youth. The legendary, innovative and exciting blend of dance, music and song is a must-see theatrical event!

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Riverdance is back and better than ever!

Since its inception Riverdance has been seen by over 30 million people in over 49 countries, and the Riverdance family and its fan base hasn’t stopped growing since that first performance in 1994. Since then, the show has played over 16,000 performances and featured 1,500 Irish dancers. The various casts of the hit Irish dance show Riverdance have produced 72 marriages and 134 "Riverdance babies" - three of whom have now performed in the show.

Fun Fact: Riverdance also holds a Guinness World Record for the “Longest Riverdance Line.”

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More Riverdance by the numbers:

Since the first show in Dublin, Riverdance also has:

• Played to a global television audience of more than 3.5 billion people.

• Sold three million copies of the Grammy Award®-winning album and 10 million Riverdance DVDs.

• Started the Riverdance summer in 2015 where 2,800 young dancers have attended and learned the iconic Riverdance steps.

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From June 9-11, don’t miss the Grammy award-winning music and the infectious energy of its mesmerizing choreography and breathtaking performances that have left audiences in awe and established Riverdance as a global cultural sensation.

Three performances at Walton Arts Center:

Tuesday, June 9 at 7 pm

Wednesday, June 10 at 7 pm

Thursday, June 11 at 1:30 pm

Celebrate Artosphere in Rogers!

Artosphere Festival celebrates art, music and nature with exciting performances, activities and events that the whole family can enjoy throughout May. You can join the Artosphere fun in Rogers at these events.

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First up is Railyard Live with Covington Creek and Gone Country performing on the Butterfield Stage in downtown Rogers on Saturday, May 2 at noon.

Russellville-based southern-rock band Covington Creek and ‘90s country experience, Gone Country will take the stage for an afternoon of music.

Tickets to this event are free and it is open to the public!

More for music lovers is the Chapel Series Concert: Chamber Music at Hunt Chapel on Wednesday, May 6 at 6 pm. This fan-favorite series brings music to architectural marvels.

Experience an inspiring evening of music that brings together the vibrant talent of Northwest Arkansas. Curated by Tomoko Kashiwagi, artistic director of the Chamber Music of the Ozarks, this special concert unites students from the University of Arkansas, outstanding regional musicians and distinguished professional artists in a collaborative celebration of artistry and community.

The program features repertoire that will make your heart dance, highlighted by the delightful Suite Antique for solo flute and string ensemble by John Rutter, featuring flutist Cristina Ballatori. Audiences will also enjoy an array of chamber works showcasing the richness and intimacy of small ensemble performance. Featured performers include the professional cello duo DJ Celli, alongside a dynamic string quartet and other ensembles. From lyrical elegance to vibrant interplay, each performance invites listeners into a shared musical experience where sound resonates across generations of musicians. This concert celebrates not only artistic excellence but also the power of connection through music.

Tickets to this event are $10!

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With over 30 events in communities across Northwest Arkansas, Artosphere has something for everyone. Check out our website for a full listing of events including yoga sessions, shows and workshops for kids, music in the outdoors and so much more.  

Show Spotlight: Just In Time

“One of the most wondrous musicals of the season and a wallop of joy!”

— New York Post

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There’s something electric about a musical that doesn’t just tell a story—it swings, pulses and sings with life. That’s exactly what audiences can expect from the touring production of Just in Time, a vibrant new Broadway musical celebrating the life and legacy of Bobby Darin.

Whether you’re a lifelong fan or only vaguely familiar with classics like “Mack the Knife” and “Beyond the Sea,” this show delivers an experience that feels both nostalgic and completely fresh.

Just In Time brings showcases the story of Bobby Darin, the legendary singer whose short but remarkable journey took him from teen idol to global sensation, inspiring generations of performers who followed. The acclaimed “runway hit” (Variety) that is taking Broadway by storm, will make a splash in Fayetteville on July 6-11, 2027.

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Darin’s story is tailor-made for the stage. Rising from humble beginnings in the Bronx, he became one of the most versatile entertainers of his time—effortlessly crossing genres from rock ‘n’ roll to jazz, pop and even folk. His career was meteoric, his charisma undeniable, and his life, tragically, far too short.

Just in Time leans into that complexity. It’s not just a highlight reel of hits—it’s a deeply human portrait of ambition, identity and the cost of chasing greatness. The musical explores Darin’s relationships, his health struggles and the relentless drive that pushed him to reinvent himself again and again.

The show doesn’t dwell on tragedy, but rather celebrates a performer who carried an infectious energy and frames the musical as a love letter to the audience.

Catch up on Bobby Darin’s greatest hits by checking out this playlist!

In the show, these aren’t just performed—they’re reimagined with dynamic staging and arrangements that make them feel brand new. Even if you’ve heard these songs a hundred times, experiencing them live in a theatrical setting adds a new layer of energy and emotion.

Visually, the show is a feast. From smoky nightclub scenes to high-energy concert moments, the production design transports audiences straight into the mid-20th-century entertainment world. Costumes sparkle, the band swings and the choreography keeps the momentum moving at a brisk, exhilarating pace.

But what sets Just in Time apart is its balance. It’s not just glitz and glamour—it has real emotional weight. The quieter moments land just as powerfully as the showstoppers, giving the story room to breathe.

In a Broadway landscape filled with revivals and adaptations, Just in Time stands out as something special: a jukebox musical with soul. Most of all, it captures something universal: the desire to leave a mark, to be heard and to live fully—even when time is limited.

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Subscribe for first access!

Six-show Broadway subscriptions are available for a limited time. Six-show Broadway subscription packages are $351 - $531 for Tuesday and Wednesday evening and Thursday matinee, and $405 - $585 for Thursday, Friday and Saturday evening, and Saturday and Sunday matinees. Package prices vary depending on seat location and include all fees. Dates, programs and prices are subject to change. 

Subscribers to the 2026-27 season will also be the first in line to guarantee their seats for the Northwest Arkansas debut of Wicked when renewing their subscription 2027-28!

Art of Wine Goes West

Each year, Northwest Arkansas raises a glass for one of its most anticipated social events of the season: Art of Wine, a signature benefit for Walton Arts Center. Now in its 24th year, this beloved evening has evolved into far more than a wine tasting—it’s a celebration of community, creativity and the power of the arts to transform lives.

Early Bird and Reserve Room tickets are now on sale for this year’s night full of wine and food sampling, 7-9:30 pm on Friday, July 24. 

Indulge in hundreds of wines, sample the flavors of area restaurants, and enjoy local entertainment as you toast to arts education!  

This year’s event brings a fresh twist to the tradition with a bold Western-inspired theme that invites guests to “ride west” for an evening of delicious discovery. The setting will channel frontier charm, blending rustic elegance with a sense of adventure. Think sun-soaked vineyards meets wide-open hospitality, where guests are encouraged to lean into the theme with their own western flair while they swirl, sip and savor selections from more than 100 vendors and bites from over 20 local restaurants surrounded by frontier charm. Whether you're a seasoned connoisseur or an eager enthusiast, you’ll be swept away by the finest pours this side of the Rockies and the spirit of the untamed West.  

“I’ve been eyeing a Western-inspired theme since 2024, but the timing finally felt right this year,” said Whitlee Douthitt, special events manager. “I’m always looking at the intersection of fashion, pop culture and interior design to see what is resonating. The best themes are the ones people can truly play with. I want them to resonate cross-generationally and for guests to feel like they can make them their own! Much like the theater, we’re creating a space where personal expression is very much encouraged.”

New this year, guests will be able to accent their western wear at the shops on our Old Main Street. Grab a hat from Moon Ridge, merch from our very own collection or some jewelry from Underwoods Fine Jewelers. Or get a pernanent (and artistic) keepsake from the evenning when you reserve a time slot for a flash tattoo. Just add on a $50 non-refundable deposit when you purchase your event ticket. The remaining balance will be paid to the artist at the event. 

“We want to make sure we’re offering experiences everyone can enjoy. For the second time at Art of Wine, we’re leaning into experiential fundraising—having partners like Underwoods, Holliday Tin Types and Moon Ridge Hats and Heritage on-site so guests have something to actually do rather than just something to drink. It’s a total win-win: our guests get to discover incredible local craftsmanship, and the proceeds go directly toward supporting our kids and arts programming here in NWA,” Douthitt said.

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 Proceeds from the Art of Wine Festival support Walton Arts Center, a nonprofit arts presenting organization serving the region for three decades. As a non-profit. donations ensure over 25,000 students and educators experience live performing arts annually, many for the first time, at no cost. This includes Classroom Series performances specifically designed for students, educator professional development and community outreach initiatives throughout the region.  

A limited number of Early Bird general admission tickets are available now at a discounted price of $98. Once those are sold out, general admission ticket prices will increase to $110.  Add the Express Pass for $25 per person to your general admission tickets and get early entry to the event at 6:30 pm and be the first to taste your favorites.

Step beyond the saloon doors with a Reserve Room ticket for $260, that includes everything in general admission plus additional premium wines and food offerings. This “all-access” pass includes an Express Pass, a dedicated entrance and exclusive lounge spaces and activations.

Show Spotlight: Operation Mincemeat: A New Musical

“It’s not just the best musical I’ve seen; it’s the most rewarding theatrical experience I’ve ever had.”

- Taffy Brodesser-Akner, New York Times

How did a dead body, a fake love letter and - of all people - Ian Fleming turn the tide of WWII? It’s 1943 and we’re losing the war. Luckily, we’re about to game all our futures on a stolen corpse. Singin’ in the Rain meets Strangers on a Train, it’s the fast-paced, hilarious true story of the secret mssion that won WWII.

The best reviewed show in West End history with 113 five-star reviews and named the No. 1 Broadway Show of 2025 (Entertainment Weekly), Operation Mincemeat is heading out on its first world tour, including eight performances at Walton Arts Center May 25-30, 2027!

Have you heard about the successful British deception operation of the Second World War to disguise the 1943 Allied invasion of Sicily? Here’s a quick run-down: Two members of British intelligence obtained the body of Glyndwr Michael, a homeless man who died from eating rat poison, dressed him as an officer of the Royal Marines and places personal items on him identifying him as the fictitious Caption (Acting Major) William Martin.

Operation Mincemeat: A New Musical takes this historic victory and transforms it into a high-energy, satirical comedy that has become the best-reviewed show in West End history!

Whether you’re a history buff, a comedy connoisseur, a theater enthusiast or a nerd for newts, Operation Mincemeat is the show for you!

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Subscribe for first access!

Six-show Broadway subscriptions are available for a limited time. Six-show Broadway subscription packages are $351 - $531 for Tuesday and Wednesday evening and Thursday matinee, and $405 - $585 for Thursday, Friday and Saturday evening, and Saturday and Sunday matinees. Package prices vary depending on seat location and include all fees. Dates, programs and prices are subject to change. 

Subscribers to the 2026-27 season will also be the first in line to guarantee their seats for the Northwest Arkansas debut of Wicked when renewing their subscription 2027-28!

Enjoy free or low cost music all month long with Artosphere

The annual Artosphere: Arkansas’ Art + Nature Festival spotlights artists and performers from around the region who are inspired by nature, and brings those performances out into the community. With dozens of free and low cost performances from all genres of music, this multi-week festival is the perfect way to enjoy the sounds you love.

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Rowdy on the Ramble

Upper Ramble, Fayetteville | May 1, 7:30-10:30 pm

FREE

Expect the unexpected when we take the arts beyond our theater walls. Rowdy in the Ramble is Artosphere’s newest event that boasts lively music, spectacular entertainment and a high-energy festival atmosphere. Bring your friends, bring a blanket and bring your dancing shoes. Arkansauce and Jumpsuit Jamey & the Can’t Wait to Play Boys will provide the soundtrack for the evening, and Inspyral Circus lights up the night with a thrilling fire art performance.
 
Crafted goods from local vendors, food and alcoholic and non-alcoholic beverages will be available for purchase throughout the evening.

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Jazz in the Garden

Botanical Garden of the Ozarks | May 5, 6:30 pm

FREE, register here

Little Rock-based jazz band Langiappe performs with singer Genine LaTrice Perez in the beautiful Botanical Garden of the Ozarks. Hailing from Little Rock, Lagniappe is a local musical family that has brought joy to crowds and special gatherings regionally and nationally for nearly 20 years. Led by Perez, a genre-blending vocalist, this group brings heart, power, warmth and soulful storytelling to every performance.

Bring your chairs or picnic blanket. Food and beverages (alcoholic and non-alcoholic) are available for purchase.

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Chapel Series: Chamber Music at Hunt Chapel

Hunt Chapel, Rogers | May 6, 6 pm

Tickets: $10

Experience an inspiring evening of music that brings together the vibrant talent of Northwest Arkansas. Curated by Tomoko Kashiwagi, this special concert unites students from the University of Arkansas, outstanding regional musicians and distinguished professional artists in a collaborative celebration of artistry and community. The program features repertoire that will make your heart dance, highlighted by the delightful Suite Antique for solo flute and string ensemble by John Rutter, featuring flutist Cristina Ballatori. Audiences will also enjoy an array of chamber works showcasing the richness and intimacy of small ensemble performance. Featured performers include the professional cello duo DJ Celli, alongside a dynamic string quartet and other ensembles. From lyrical elegance to vibrant interplay, each performance invites listeners into a shared musical experience where sound resonates across generations of musicians. This concert celebrates not only artistic excellence but also the power of connection through music.

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Chapel Series: The Crumbs at Cooper Chapel

Mildred B. Cooper Memorial Chapel, Bella Vista | May 11, 6 pm

Tickets: $10

Enjoy Americana bluegrass music from Arkansas-local band The Crumbs in a beautiful architectural marvel.

Hailing from Ft. Smith, The Crumbs harken back to a time when iron men played wooden instruments. Between their three original albums, this group is known for their easy-listening, folk tunes.

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Jazz on the Mountain

Mount Sequoyah’s Vesper Point, Fayetteville | May 14, 6 pm

FREE

Performer and composers Marco Wimer and Dylan Wenino met at the University of Arkansas and discovered a common thread of interest in taste and the ambition to create their own music. Their group, the Wimer-Wenino Project is comprised of Northwest Arkansas musicians who have been heavily inspired by the jazz/ gospel/rock recordings of ‘70s on the iconic ECM, especially the works of Pat Metheny, Lyle Mays, Keith Jarrett and John Scofield. They began playing and composing together, both emerging from the jazz tradition, to create something new. Enjoy their unique sounds outdoors at Mt. Sequoyah’s Vesper Point.

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Broadway, Bacharach and Bossa Nova

Starr Theater at Walton Arts Center | May 17, 6 pm

Tickets: $10 tiered, $25.30 cabaret seating

In the concrete jungle of New York, vocalist Marcy Harriell and pianist Jeannine Wagar both found great success...but found greater inspiration in the lush green hills of Fayetteville, where kismet placed them three doors apart. After years of combined experience learning the rules of music, this eclectic duo is happily breaking them. Come see the maiden performance from this wildly experienced pair, covering everything from Bossa Nova to Broadway to Bacharach! 

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Curtis Chamber Orchestra

Baum Walker Hall at Walton Arts Center | May 19, 7 pm

Tickets: $10

For 15 years, the Curtis Chamber Orchestra has maintained an unparalleled presence at top international concert halls, performing more than 450 concerts in over 120 cities, from New York to Berlin and Hong Kong to Santiago. Now, for one night only, you can see them at Walton Arts Center. The ensemble, composed of students, alumni and faculty of the prestigious Curtis School of Music, will perform an exquisite selection of Barber, Mozart and Beethoven.  

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Learn More About the Wild Wolves of Yellowstone

Doug Smith (left) & Mike Phillips waiting to transport a wolf in a shipping container. (Photo Barry O’Neill/NPS.)

The wolf is one of Yellowstone National Park’s most important predators. They once roamed the landscape and influenced the ecosystem for thousands of years. In an effort to tame the wilderness, the U.S. government eradicated wolves, along with other carnivores like cougars and bears, from Yellowstone in the 1920s. This action had a profound effect on the park; elks boomed in the absence of carnivores and there were significant changes in vegetation. Other factors of the food web were significantly altered, including beavers becoming increasingly rare.

Doug Smith (left) & Mike Phillips preparing to release wolf #3 at the Fishing Bridge service road. (Photo Jim Peaco/NPS.)

Starting with the watershed Endangered Species Act in the 1970s, and finally in 1995 with all the pieces in place, a collection of scientists successfully relocated fourteen gray wolves to Yellowstone's Lamar Valley, triggering the Yellowstone Wolf Project.

Learn all about this story at Walton Arts Center at National Geographic Live: The Wild Wolves of Yellowstone on Tuesday, May 12 at 7 pm. Join wildlife biologist Doug Smith on assignment in the park to see how the landscape has changed since the wolves arrived, including never-before-seen photos and videos of the quest to bring back this apex predator.

Smith studied wildlife from beavers to birds in Yellowstone National Park for nearly 30 years. Before arriving in Yellowstone, Smith earned his Ph.D. from the University of Nevada, Reno, and worked for more than a decade at Isle National Park in Michigan.

He has written numerous scientific publications and has been featured in four National Geographic television specials, as well as interviewed by the likes of “60 Minutes” and the BBC. He has also written and edited several books about the Greater Yellowstone Ecosystem, including the 2023 book Yellowstone’s Birds: Diversity and Abundance in the World’s First National Park. Expanding on his outdoor explorations, Smith is an avid canoeist, having paddled many remote rivers in Alaska and northern Canada.

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This show is part of our 10x10 Arts Series, a collection of $10 shows curated to allow audiences to explore something new, and our annual Artosphere Arts + Nature Festival, which hosts dozens of free or low cost events and performances inspired by nature.

Q&A with Dinosaur World Live writer & director

Dare to experience the dangers and delights of Dinosaur World Live in this Olivier award-winning interactive show for all the family. Grab your compass and join our intrepid explorer across uncharted territories to discover a pre-historic world of astonishing (and remarkably life-like) dinosaurs. Meet a host of impressive creatures, including every child's favourite flesh-eating giant, the Tyrannosaurus Rex, a Triceratops, Giraffatitan, Microraptor  and Segnosaurus! Join us for a free meet and greet after the show, where all our brave explorers can make a new dinosaur friend. This show is recommended for ages 3 and up. 

Before Dinosaur World Live stops at Walton Arts Center for one performance only on Tuesday April 28 at 6 pm, asked the writer and director Derek Bond a few questions.  

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How would you describe Dinosaur World Live?  

Miranda has grown up around dinosaurs on a far-off island, she’s brought some of her friends, and she’d love you to meet them. It’s an inspirational 50-minute interactive show with giant dinosaurs. Our biggest is nearly 32 feet long, and takes four people to puppeteer it.  

What has excited you most about working on the show?  

Watching the dinosaurs come to life – there’s a moment in rehearsals when the puppeteers get it right, and this collection of metal, plastic and paint is suddenly alive in front of you. That, and seeing children’s reactions when they see the show!  

What does the typical dino rehearsal day look like?  

We always start with a physical warm up – puppeteering the dinosaurs is hard physical work, and the team have to warm up like dancers or athletes do. Then we’ll look at a scene “unadorned” – that’s where the puppeteers moving around the space without the puppet, but using their hands and legs in the same way they will when they are operating the puppet. We do this because the dinosaurs are heavy, and you can’t keep stopping and thinking about what to do when someone is holding 55 pounds on their shoulders! When we have a shape for the scene that we’re happy with, the puppeteers will get inside the dinosaur, and we’ll test the shape out. Laura Cubitt (our brilliant puppet director) will spot the details that will help the puppeteers to make the dinosaur really “live” – it might be a breath, or a look or a blink. After running it couple of times, we swap puppeteers – all our puppeteers can operate all the parts of each puppet, though they all have their favorites.  

Tell us about the audience reaction to the giant T-Rex?  

It’s amazing. When Titus (our T-Rex) emerges, the audiences either jump out of their seats or hide under them! But when Miranda needs help to drive Titus back off the stage, everybody joins in. It’s a great to see children overcoming their fear and fiercely roaring at a 32 foot long T-Rex!  

Why should people come and see Dinosaur World Live and what do you hope audiences will take away?  

It’s an inspirational show – it fires the imagination and teaches you things you might not know about famous dinosaurs like T-rex and triceratops, but also introduces you to dinosaurs you might not have heard of like microraptor and segnosaurus. My hope is that audiences will come out desperate to know more about dinosaurs, and with their imaginations working on all cylinders. It’s also interactive, encouraging the whole audience to get involved.  

Who do you think are easier to direct? Humans or dinosaurs?  

You can tempt them with food, but if they don’t want to do something they can be really stubborn. And the dinosaurs can be hard work too. 

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Learn more about Theater Unspeakable's The American Revolution

Here’s what you need to know:

7 actors positioned

2 feet off the ground share

21 square feet of space

Recreate the entire American fight for independence from Lexington to Yorktown using only their bodies, voices and (pantomimed) cannons in

50 minutes

It’s the ultimate American origin story!

Combining tongue-in-cheek humor with a dash of derring-do, The American Revolution displays Theater Unspeakable’s rowdy brand of bare-boned and imaginative physical theater. This show is recommended for ages 9 and up.

Honoring 250 years since the signing of the Declaration of Independence, this show makes one stop at Walton Arts Center on Sunday, May 3 at 4 pm. All tickets are only $10.

We sat down with the show’s director Marc Frost and American Stage Chicago intern Cristabel Donker to learn more.

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Why did Theater Unspeakable choose to make this play?

The American Revolution is definitely a big story - with all its important political and historical moments not to mention eight years of battles - but it’s also a story that we don’t hear very much today. Maybe this is because Civil War-era films are popular right now, or maybe its because our nation’s founding story seems too academic, too stale, too far removed from the way we live today. That’s where movement-based narrative, or what may also be called physical theater, can help us make a story fresh and alive for a contemporary audience.

It is important to tell both sides of any story, but when you are trying to condense a big story into a small space (and time!) you have to paint the action with a thicker brush while also maintaining some of the finer details. In this case, I think most U.S. audiences can sympathize with the American side and that is where we have tried to show the most complexity. That George Washington was not born a hero, that John Adams had major ego programs and that the Founding Fathers and Mothers were real people trying to deal with real situations long before they became mythologized into marble portraits.

How did you approach the obvious presence of slavery in this time period without making it central to the story?

We did not want to shy away from the fact that slavery was an everyday fact of life during the American Revolution. Washington, Jefferson and many other famous revolutionaries spoke about “unshackling themselves from the chains of England’s tyranny” while at the same time keeping thousands of enslaved people in their own households.

What message or feeling are you hoping audiences walk away with?

Billy Lee once said of Washington, “When I think about George, I think of our country. Not a perfect one, but a good one.” This is the same message I would like people to take with them when they leave the theater. The country’s founding had an imperfect beginning, build upon the sacrifice, slaughter and subjugation of many individuals and peoples, but I want them to leave feeling proud of their country’s founding, because it truly was the dawning of a new era for personal freedom. Even in its most beautified heroes, we see the flaws, the human shortcomings, which to me, make the achievements all the more inspiring. We also hope they laugh.

Young Professionals Give Back Through Volunteering

April is Volunteer Appreciation Month and at Walton Arts Center, that means celebrating a dedicated troupe of over 200 volunteers who donate countless hours each year to bring the magic of the performing arts to our community.  

Volunteering can fit into any lifestyle, but don’t just take our word for it. Talk to Amelia Catanzaro, a young professional who works full time in corporate and still volunteers at Walton Arts Center. “Volunteering does not have to be a big time commitment, you can work three hours or 300 hours and everything in between. That makes it accessible whether you're a working professional, retired or a student. You can work around your schedule and still make an impact.” 

Catanzaro is just one of several volunteers that carve out time to volunteer in addition to their corporate careers. The company she works for donation-matches her volunteer time, allowing them both to give back to the community.  

During a show, volunteers help with a wide range of tasks like scanning tickets and handing out programs, pouring drinks in the Friends lounge, helping patrons find their seats and answering questions. For Catanzaro, this variation is what makes volunteering so fun. “It's not like your day job where you know what to expect,” she said. “You show up here and it's different everyday because of the shows, the volunteer positions available and all of the different patrons. Getting to see other people excited to come to this space is the best feeling.” 

That connection to Walton Arts Center runs deep. “The arts have been a part of my life for as long as I can remember,” Catanzaro said. From her first experience seeing a Broadway show (Mamma Mia in 2006), to performing on the Baum Walker Hall stage with her dance class, or to attending a Classroom Series show, “Walton Arts Center was always at the core of my arts experiences.”  

“When I graduated college, all those extra arts experiences stopped – I wasn’t singing in choir, wasn’t on a dance team anymore – but I was looking for someway to still be connecting to the arts,” she said. As a season subscriber herself, Catanzaro knows firsthand the joy of live performance, but what drives her most is sharing that feeling with someone experiencing it for the first time. " I am glad I get to be a part of that journey for someone else.” Furthering her dedication to the impact of the arts, Catanzaro also donates a gift through the Friends program, helping set the stage for free performances for our community throughout the year.  

The impact of the arts goes beyond just sitting in a chair and seeing a show. "Having a place that makes you feel loved and welcome is amazing," Catanzaro says, "and Walton Arts Center is that place."  

Learn more about volunteering at waltonartscenter.org/volunteer. 

Show Spotlight: The Sound of Music

“This show is fresh, alive and actually feels like a brand new musical.” - Chicago Theater Reviews 

For 65 years, The Sound of Music has been one of our “favorite things.” With its timeless story and irresistibly charming score, this Rodgers & Hammerstein classic isn’t just meant to be enjoyed - it’s meant to be shared. Now, a critically acclaimed North American tour brings the cherished musical to stages across the country to teach a new generation to sing.   

Let’s start at the very beginning …  

The Von Trapp family at the center of the musical by Lindsay & Crouse, Rodgers & Hammerstein was a real singing group that had an extraordinary origin and an impressive professional career in Europe and in America, with a various recording contracts and a dedicated fan base. Maria Von Trapp’s memoir, The Trapp Family Singers, had seen some success upon its release in 1947, but it wasn’t until the late 1950s that Broadway star Mary Martin teamed up with her husband, Richard Halliday, and Rogers & Hammerstein, that the story began to sing.  

Though the musically-inclined family had considerable recognition in the states, preparing the story for stage was no easy feat. “Either you do it authentically—all actual Trapp music—or you get a complete new score for it,” said Hammerstein. Fresh off their success with South Pacific, Rogers & Hammerstein set out to write an original score.  

Lindsay & Crouse referenced Maria’s memoir for the plot, while Rogers & Hammerstein connected with several parties to give the musical authenticity and depth: 

• Hammerstein started a correspondence with Sister Gregory, a friend of the Hallidays and a nun who served as head of the drama department at Rosary College in River Forest, Illinois. She became the expert on matters related to the nuns, but also inspired the lyrics to become more spiritually rich.

• Maria Von Trapp, who at this time was in Papau New Guinea for missionary work, had read an early script, and according to the Rogers & Hammerstein archives, had several concerns: she felt that the character of Maria was not enough of a tomboy and therefore did not undergo enough of a change; second, the Captain was far too Prussian and humorless than her real-life husband.  

Kevin Earley (Captain Georg von Trapp) and Cayleigh Capaldi (Maria Rainer) with the von Trapp Children (l to r) Ariana Ferch (Liesl), Eli Vander Griend (Friedrich), AvaDavis (Louisa), Benjamin Stasiek (Kurt), Haddie Mac (Brigitta), Ruby Caramore (Marta), Luciana Van Dette (Gretl) in The Sound of Music. Photo by Jeremy Daniel.

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Refreshed for new generations and directed by three-time Tony Award® winner Jack O’Brien (Hairspray), this vibrant and romantic tale of Maria and the Von Trapp family will captivate audiences with its universal themes of love, resilience and the power of music. Featuring beloved songs you know and love like “Do-Re-Mi,” “Sixteen Going on Seventeen” and “Edelweiss,” this is the iconic tale of a spirited nun who chooses not to live behind closed doors - and, by following her heart, learns to climb every mountain.  

Enjoy the heartwarming story all over again at one of eight performances at Walton Arts Center April 13-18, 2027. 

Subscribe now for first access

Six-show Broadway subscriptions are available for a limited time. Six-show Broadway subscription packages are $351 - $531 for Tuesday and Wednesday evening and Thursday matinee, and $405 - $585 for Thursday, Friday and Saturday evening, and Saturday and Sunday matinees. Package prices vary depending on seat location and include all fees. Dates, programs and prices are subject to change. 

Subscribers to the 2026-27 season will also be the first in line to guarantee their seats for the Northwest Arkansas debut of Wicked when renewing their subscription 2027-28!